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While on the surface the genesis of Full Power Happy Hour seems to trace directly back to the fertile Brisbane punk scene - where for years many of its members shared both bands and stages - it’s heart dates back further, to singer-songwriter Alex Campbell’s early infatuation with the female voices of the ‘60s folk scene. Having stockpiled a growing collection of heartfelt songs which didn’t suit the punk aesthetic of her earlier bands, she pulled together some like-minded friends from both her past bands and immediate circle and together they set out to mould the Full Power Happy Hour aesthetic. The resultant unique melange mixes the intimacy and fragility of folk icons like Joni Mitchell and Joan Baez with the ramshackle bonhomie of The Pogues, tempered by a more modern indie-rock sensibility akin to The Clean. Having built a strong hometown following with their heartfelt, high-energy live shows rife with impassioned lyrics, joyful instrumentation and heart-stirring harmonies.