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In the remote, far north of Australia, 1000km via dirt road thom the nearest city, Kris Keogh has spent the last decade composing otherworldly audio dreamscapes, nocturnes for the galaxies above. Without the light pollution of the city, Arnhem Land’s night skies glitter and glimmer in parallel with his heavily processed harp playing. Intersecting contemporary classical, glitched electronics and ambient music, Processed Harp Works, Volume 3 is exactly as described - Kris’ intimately recorded harp playing transformed, using self-designed software patches, into grand, glistening audio starscapes. By day, he's a mix engineer for some of Australia's leading Indigenous acts (King Stingray, Yirrmal, Birdz, Yothu Yindi), but by night he makes strange, beautiful processed electronics - grand, glitched and glittering.