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Pogan Pagan appeared in Skopje in the early 2000s — a heathen ritual disguised as an electro duo, then grew extra limbs: a choir carved from feedback, drums like street violence, machinery dreaming in broken time. Members rotated like masks — the project survived as ritual: punk opera, hymns broken into laughter, pop sabotage, and music returning — sad, tender — like history in the wrong key.