Edit history

Taking a leaner, faster, & tighter approach to their sound than that which produced the analogue-hot garage pop monster, self released EP HATE MAKES A CHAMPION ('really, quite good' beat magazine), seconds deilver their new lineup: Twin-carb drum work - drummer Van Thanh's skills feature throughout; Crisp, bi-polar guitars - Rich Giliberto works his rickenbacker to all it's strengths throughout spatious, contemplative rythmn hooks, & furious, caustic lead passages; Precision primal bass lines - bassist Iain Wilson's experience as percussionist burning brightly, he not figuratively arc welds Van Thanh's beats to the song's melodic colour; Near extinct species of vocal melodies & lyrics, ie, actual complex explorations of the modern human/robot disguised as TV jingle-catchy phrasing & narratives, & mono-phonic sprinklings of unashamed 80's 'inspired' synth quips. Using; a punk ethic to dissolve any virtuosic requirement; instinctive 80's pop elements that tick the 'retro' box;