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The bastard son of Elizabeth Taylor

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Version 1activeAug 21, 2026, 1:37 PM
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(Student at Sydney University... Bored with normal music from normal instruments....) Throughout the 20th century, the notion of what actually constituted music was under intense debate. Many emerging genres that broke with convention such as noise-art, electronic music, computer music, even punk rock, rap and hip hop, were considered ‘non-music’ or ‘noise’ at their inception and received strong resistance from critics and audiences alike. Today we have a clearer understanding that the creation, performance, significance and even the definition of music vary according to culture and social context. In his work, Taylor explores the boundaries of how everyday sound sources can be used in combination and in context with computer audio technology, within the diverse musical structure. We hear a plethora of everyday sounds and noises, crashed together with a select palette of traditional sounds to create a musical deconstruction that breathes life into the sounds that most people would

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