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Opening with Parasite - a guitar-driven tale of rampage that has both the snarling fuzz of Seattle and the ballsy Marshall-stack rock of ‘70s Detroit - We Move Walls’ debut EP comes through the gate with all guns blazing. As the EP rolls on through the jangly and breezy Wild And Free, the hypnotic swing of Clouds, and the dream like Hills Are Burning, it becomes apparent just how versatile and panoramic this band’s view of rock’n’roll is. For We Move Walls, music is essentially a time machine, and a record collection is as owing to J Mascis as it is to Jimmy Page. The mark We Move Walls make on the world of rock’n’roll they are immersed in as fans is similarly and beautifully unprejudiced. Each song can reflect any number of artists, styles or decades to the point where eventually it reflects none at all... it is such a unique interpretation of its influences that is simply something new entirely. It is punk rock, it is entrancing indie, it is the Doors, it is a horror movie